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《魔法学徒(Quareia)》系列第15本

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这是Quareia也就是魔法学徒系列的第15本,adept的M9与M10M9-Teaching, Mentoring, and group construction与M10-the real adept 括号后是11-14册的社内链接,供大家参考(http://www.imslr.com/forum.php?mod=viewthread&tid=64486&highlight=%E9%AD%94%E6%B3%95%E5%AD%A6%E5%BE%92)下面是简介QUAREIA: THE MAGICAL TRAINING AN IN-DEPTH LOOK AT THE COURSE, HOW IT WORKS AND WHAT IT DOES INTRODUCTION Quareia is a practical magical training course that is complete from total beginner to adept. It is aligned to no particular school or specific religious/mystical school of thought, and yet it looks at and works with some of the many different magical, religious, and mystical practices that have influenced magical thinking in the Near Eastern and western world since the early Bronze Age to present day. It is divided into three sections, Apprentice, Initiate and Adept, each section being 500,00 words, each split into ten mosrcles, with eight lessons per mosrcle, and each section having one extra initiatory lesson. It is a self-study course, but light touch mentoring is offered from the Initiate section onwards if required, and the whole course can be bought in book form, or is also offered in its entirety for free as online download study mosrcles. The course is not an academic study exercise, rather it is a course that is highly practical in its application, in conjunction with study. It is wide and deep in it s subject reach, and can take many years to complete. The course does not rely on belief; rather it is rooted in knowledge and practical personal experience, thus ultimately creating a unique path for each indivisrcal. Quareia was put together in a fast paced ever changing world that relies heavily upon interconnection (the internet), and that is culturally diverse. Most magical systems used today, bar chaos magic, reach backwards to mono cultures, where one race, one religion, or one mythology is the common theme that the mysteries are explored through. Such methods were necessary for their time, but our modern world no longer finds such isolation relevant. In a multi-cultural and less structured religious world, people are seeking evolution without religious dogma, without magical dogma: and yet all religions and all cultures hold keys in common with regards to magic and mysticism. Scratch beyond the surface details and the underbelly of the Mysteries stays for the most part, the same. With this in mind, Quareia was constructed to address this plasticity in the modern world. The apprentice section approaches this plasticity through paradox: the Rule of Absolutes. The student learns a technique, ritual or visionary construct and is told, ‘this is it!’ A wall of arrival is placed before them in order to contain their consciousness, to give it firm boundaries, rules, and finality. This becomes ‘the weight that the muscle has to lift in order to become strong’. By learning something from within such a confined mindset, instead of constantly looking for the next best or more powerful thing, they are forced to look in detail, to endlessly repeat something in order for the hidden to emerge into their minds and experiences (It is a dynamic I learned by studying the Vaganova ballet method). Once that is gained, the boundaries are removed, and the student moves on to the next step on the ladder. The knowledge base of the student is expanded throughout the course by not only working with magical subject matter and techniques, but also looking at ancient and classical texts, history, geography, geometry, religions, and myths. However it is the visionary ritual practice that evolves the student: the mystical progress happens not through the attaining of knowledge, but the internal development that comes with direct visionary and ritual experience. That is also where, as the student develops through the course, they learn what can be debated and spoken of, and what is held silent within. There are no rules of secrecy; rather the student learns their own deep personal silence through wisdom and experience, not through laws. The mysteries hide in plain sight, there is no need for a rule of silence other than the one personally adhered to. The whole course is built as a pyramid structure, with a wide and strong foundational base, and where each subsequent layer becomes more condensed, more architecturally complex, until the final pinnacle becomes the final mosrcles which are shorter, far more focused and demanding, and where the student has to draw upon everything he or she learned in the wide foundation in order to make sense of it. The course is not reference friendly: it cannot be really dipped in and out of in order to retrieve bites of knowledge: every layer, every step is magically and intellectually dependent upon the many steps before it. The theory and practice are heavily interwoven through all the layers, which are all magically dependent upon one another, like a complex weave. This discourages skimming, bullet pointing, and ‘cherry picking’ which is an endemic problem in magical study: everyone becomes a google expert in magic. Within that weave, subject matter is studied in a spiral manner: subject matter is introsrcced, and then later revisited numerous times for ever deepening layers: as the student’s knowledge and skill base develops, they go back to an overall subject, and look at it again in a different way, from a different angle with more knowledgeable eyes. They are introsrcced to the most surface layer of a subject, a layer that is closest to what they know. Later another layer takes the subject back further in time/history, without necessarily linking it to the first layer: it is up to the student to spot the connections, and to finally see the fragmenting of ideas and additions of dogma that occurred over time, for themselves. Sometimes I help by pointing the way and showing comparisons, other times I do not. An example of this is introsrccing the student to Biblical and Greek text, and later Egyptian, Sumerian, and Babylonian texts, all around the same subject matter. This enables the student to slowly see the development and then degeneration of concepts as they travel down through time, while also retaining fragments of the mysteries within them. It is not done in a strictly academic way, but rather in a more informal way, so that the student can relax, experiment with the practical work, and have personal flashes of inspiration. This ensures that vast subjects like ‘Creation and Destruction’ are studied as deeply as possible throughout the training, looking at the subject from an ethical, mythological, historical, magical, religious, and practical personal perspective. Not only does this give the student a deeper understanding of the subject, it also teaches them to look at the topic through peripheral study of geography, history, development of medicine from alchemy, religious dogmatic thought and most importantly, where that dogma came from, and what it was originally trying to express. THE APPRENTICE The first section of the course, the Apprentice, seeks to esrccate the seeker in the basics of magic; not just the techniques, but the reasons for those techniques, where those techniques potentially come from, and how that magic can affect ourselves and the world around us. The first stages of the magicians training, overseen in the apprentice section, serve to guide the student through mental and physical self-discipline, and to introsrcce them to concepts while dismantling the often dogmatically instilled misconceptions that many come to the training with. In today’s modern western world, the student often arrives at the study of magic with a dizzying array of counterprosrcctive ideas: for example many perceive magic as something that can be used to compensate for personal weakness. Magic is seen as a tool for getting back at enemies, acquiring riches, and acquiring control over other people, partners, and so forth. It is seen as a counter weight for the often powerless situations people find themselves in a competitive ‘first past the post’ world. Others are drawn to magic from childhood, and yet have little understanding of its reach, its effect on the persona, and on the world around them. New students often have little self-awareness, and many feel that cramming themselves with theoretical knowledge will make them into a magician. These are all massive hurdles that stand between the development of magic, and themselves. From the very beginning, the student is taught how to respect nature and the environment around them, from simple tasks like picking up litter, to learning how to connect and commune with natural expressions of the elements around them: the land, the rivers, the mountains, the wind. They learn that everything living and elemental thing around them has consciousness. Later in the course, they will be introsrcced to the ancient ritual and magical/religious expressions of nature through the Hermopolis Ogdoad. They will also look at other cultures and how they expressed the primal powers of nature through the deities, and this in turn will inform them of how humanity creates interfaces in order to commune and interact with the raw forces of the world around them. The apprentice is taught not to look at themselves, but to look at the world around them, for by looking at the world, they will see themselves. This section constantly looks outwards in order for the student to learn how to look inwards without triggering narcissism and arrogance. Ethics, balance and evolution of thought are looked at and experimented with, and the student is introsrcced to the concepts of spirits, and how different cultures perceived and interacted with such none physical beings. The student then applies that understanding through their own experiences as they are placed in magical situations designed to trigger direct awareness and interaction. That dawning of awareness triggers a process of destruction: what no longer serves a purpose to the student is stripped away voluntarily. The final mosrcle in the apprentice section explores the dynamics of destruction, something people in the west are taught to fear. The student looks at destruction from an inner worlds, personal, and outer perspective, and one of the final acts in the apprentice section is to step away from the mundane, and the ancestral, and to present themselves at the threshold of the mystical magical path. This threshold to initiate training is the first true step of the mysteries, not the beginning of the apprentice section. The student formally declares to his ances tors in visionary ritual, be my companion in work, but no longer my binding. This draws upon an ancient ritual pattern dynamic found in Ancient Egypt from the Old Kingdom onwards, and is also found in a fragmented form in Isiah 43:6 in the Torah. Upon this step, the student stands on the threshold of the outer mysteries and reads, Procul, O Procul Este, Profani. They step into the outer court of the mysteries as they step into the Initiate section of training.

语言:

英文

格式:

pdf

作者:

约瑟芬·麦卡锡

目录:

下文有M9的简介

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《魔法学徒(Quareia)》系列第15本 《魔法学徒(Quareia)》系列第15本

2023-3-24 13:47 上传

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《魔法学徒(Quareia)》系列第15本 《魔法学徒(Quareia)》系列第15本

2023-3-24 13:47 上传

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《魔法学徒(Quareia)》系列第15本 《魔法学徒(Quareia)》系列第15本

2023-3-24 13:48 上传

Andyanrt,如果您要查看本帖隐藏内容请《魔法学徒(Quareia)》系列第15本 回复魔法学徒系列其他版本请右上角搜索 魔法学徒

《魔法学徒(Quareia)》系列第15本 本主题由 影月 于 2023-3-24 20:39 加入精华有需要联系v;hx-hx4

摘要:《魔法学徒(Quareia)》系列第15本是一部引人入胜的魔法学徒系列小说。本文将从四个方面对该书进行详细阐述,包括故事情节、人物塑造、魔法系统和文学价值。通过对这些方面的探讨,读者可以更好地了解该系列作品,并对其产生兴趣。

1、故事情节

《魔法学徒(Quareia)》系列第15本的故事情节扣人心弦,情节跌宕起伏。作者巧妙地将魔法与现实世界相结合,以主人公的成长和冒险为线索,展开了一系列惊险刺激的故事。故事中的转折点和高潮迭起,让读者无法停下手中的书籍。

故事情节的安排合理,紧凑有序。作者通过设置多个情节线索,使故事更加丰满和有趣。同时,细节描写生动,场景转换自然流畅,使读者仿佛身临其境,与主人公一同经历冒险。

2、人物塑造

《魔法学徒(Quareia)》系列第15本中的人物塑造鲜活而立体。主人公和配角各具特色,性格鲜明。他们的言行举止、思想情感都被描绘得栩栩如生。

主人公的成长过程也是整个系列的重要内容之一。作者通过刻画主人公的内心斗争、成长历程和面对困难的勇气,使读者在欣赏故事情节的同时,也能从中汲取力量和启示。

3、魔法系统

《魔法学徒(Quareia)》系列第15本中的魔法系统独具特色,扣人心弦。作者巧妙地将现实世界的元素与魔法相结合,创造出独特而丰富的魔法体系。魔法的运用方式、规则和限制都被详细描述,让读者感受到一种真实而又神秘的魔法世界。

魔法系统的设定合理,逻辑性强。作者将魔法与故事情节紧密结合,使魔法成为推动情节发展和解决困难的重要手段。同时,魔法的运用也反映了主人公的性格和成长。

4、文学价值

《魔法学徒(Quareia)》系列第15本具有较高的文学价值。作者运用丰富的想象力和优美的文笔,创造出一个引人入胜的魔法世界。小说中融入了人性、勇气、友情等主题,通过对主人公的塑造和故事情节的设置,引发读者对这些主题的思考和感悟。

同时,该系列还反映了现实社会中的一些问题和矛盾,通过魔法世界的表达,使读者在娱乐的同时,也能对现实世界产生思考和启发。

总结:《魔法学徒(Quareia)》系列第15本是一部扣人心弦的魔法学徒系列小说,故事情节紧凑有序,人物塑造鲜活立体,魔法系统独具特色,具有较高的文学价值。读者通过阅读该系列作品,可以享受到一个充满惊险刺激和思考的魔法世界。

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